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Throughout the past few years, my brother and I embarked on a musical and lyrical journey like no other. We boldly, fearlessly, and maybe naively, decided to write about 100 artists (and a further 50) whom we deemed to be the most ‘influential’ of all time, and also who we believed to be burgeoning and up-and-coming artists who would be influential within 5-10 years. These artists can be viewed here, and you can read them all to your heart’s content, and at your own pace. These artists can be conversation starters at the dinner table, they all can be hotly debated, agreed upon and disagreed upon. We wrote about artists who probably would have been on anyone and everyone’s list (Avril Lavigne, U2, Phil Collins, John Mayer, Michael Bublé, OneRepublic, Ed Sheeran, Christina Aguilera, Taylor Swift, Kylie Minogue, Robbie Williams, Alicia Keys, Sheryl Crow, Carrie Underwood, Keith Urban, Tina Arena, Backstreet Boys, One Direction, Coldplay, Jennifer Lopez, John Legend, Tim McGraw, Justin Bieber, Beyonce and Mariah Carey to name a few), while we wrote about 20 or so Christian/worship artists, who probably would not have been present on any other list- sad to say. Some artists were influential within their genres and could have been argued either way (Jason Mraz, Seal, Jackie Evancho, Alanis Morrisette, Gwen Stefani, Hoobastank, Natalie Imbruglia, Hanson, Colbie Caillat, Goo Goo Dolls, Pentatonix, Train, Mandy Moore, Owl City, The McClymonts); while we did not include many rap or gospel artists, nor pop artists of today. Some artists we claimed to be up-and-coming, but they weren’t (Matthew West, Selena Gomez, Demi Lovato, Little Mix), while others like The New Respects, Jess Glynne, and Conrad Sewell… well frankly they kind of faded, and are they really up and coming when they may not be popular or influential? Others like Maddie & Tae, Thomas Rhett, NF, Dua Lipa, Sabrina Carpenter, Sofia Carson, Mickey Guyton, Zach Williams, Tori Kelly, Lauren Daigle, Maren Morris, Kelsea Ballerini, Chris Stapleton and Ava Max (to name a few) are indeed ‘up-and-coming’ and actually fit the scope of the 50 artists; while Cory Asbury is indeed certain to be influential… but we just spoke about the controversy of “Reckless Love” the song for virtually the whole blog. There were pluses and minuses of both lists. And quite frankly, if any of you have a different 100 or a different 50- I would not blame you at all. After all, that’s what the honourable mentions are for- you can read them here, here, and here.



‘…how I felt when I wrote 21, I wouldn’t want to feel again. It was horrible. I was miserable, I was lonely, I was sad, I was angry, I was bitter. I thought I was going to be single for the rest of my life. I thought I was never going to love again. It’s not worth it. Well, it was worth it, because, obviously, of what’s gone on. But I’m not willing to feel like that to write a song again. I’m not…If I wanted to just be famous, like be a celebrity, then I wouldn’t do music, because everything else I’ve been offered would probably make me more famous than I am just with my music. Commercials, being the face of brands, nail varnishes, shoes, bags, fashion lines, beauty ranges, hair products, being in movies, being the face of a car, designing watches, food ranges, buildings, airlines, book deals. I’ve been offered everything. And I don’t want to water myself down. I want to do one thing. I want to make something. I don’t want to be the face of anything…’

If I am being completely honest, this upcoming blog post would have to be the one, out of all the 60 (61st currently right now) I have undertaken, where I’ve been literally worried and scared to do. I know I shouldn’t really be worried, because this post is just one mere man’s opinion, but in all honesty, I just can’t help it. Maybe it’s because Adele is one of the most popular British icons in British music history, and she has one of the most emotive, poignant and prolific voices ever, and therefore whatever I say won’t ever be enough to say about one of the 21st century’s most impactful and articulate singer-songwriters this generation have ever seen. Or maybe it’s just nerves, and this blog post is simultaneously the one where I’m prepared to a point, but also neither prepared at all, all at the same time. Regardless, this blog post about Adele would have to be, like U2, the one where people would automatically slot into their list of influential artists- if people even had lists nowadays. Across every person’s musical preferences, enjoyable melodies, and genres that they gravitate towards over the years, one cannot deny the importance, influence and impact Adele has had across her 3 albums, on music history. This blog post quite possibly can be the shortest blog yet that I’ve ever written (what can be said that hasn’t been said already by publications and news articles online from songfacts, songmeanings and medium.com, to NPR, Rollingstone and video interview on the youtube site Skavlan), but also simultaneously one of the most heartfelt, emotive and poignant that has ever been written within my 1 and a half year musical journey from February 2019 till now. For we all know Adele’s vocals can pierce depths of our hearts that only certain people can go- for that is why her albums are such relatable for people, and her down-to-earth atmosphere she portrays in video interviews is certainly contagious and a joy to watch. We are reminded through Adele’s career that these people we call musicians (that we often place on a pedestal) are in fact humans like me and you. They have faults, they’re not some super-people that we often idolise and believe they can do no wrong. It is in these moments of vulnerability in interviews that we see the transparency of these artists, and we respect these people whose music we listen to, all the more.