All posts by Josh

MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 88: RICHARD MARX

I’ve often wondered what constitutes a timeless song. A song that is regarded as being legendary in its own right. Something that can tug at your heart, and can invade your innermost being, bringing forth emotions to the surface that you never knew you had. I’ve often wondered if it’s the artist who makes a great song, or if it’s the songwriter. Because usually, the great songs (like the great songs in the 90’s like “My Heart Will Go On” by Celine Dion and “When You Believe” by Whitney Houston and Mariah Carey), are 9 times out of 10, written by a songwriter, or maybe two or more; and then given to a singer to ‘make famous’. Is a song famous because of the name and reputation of the artist, or because of the reputation or repertoire of the songwriter? Songwriters like Diane Warren, Ashley Gorley, Justin Paul & Benj Pasek, David Garcia, David Foster, Justin Tranter & Julia Michaels, Sia, Ryan Tedder, Toby Gad, Shane McAnally and Ester Dean, are all in high demand; and only some of these are artists. The rest just keep chugging along, ploughing away at their craft, helping to make artists famous by crafting a radio friendly hit song. Many of these songwriters are world renowned and respected by their peers- and so the question needs to be asked as to whether the song lives on in the hearts of all of us because of the artist or the songwriter. I reckon it’s about 50/50 at least, in that the songwriter generally does around about 50% of the work in propelling an artist into stardom. But whether a song lives on in my heart, and then just doesn’t connect in your heart- that’s a different thing altogether. But generally speaking, the big iconic songs that we’ll still be singing in 20-30 years’ time, are because of a symbiotic or sometimes parasitical relationship between the songwriter and the artist. But what happens when an iconic song is written by the artist who has sung it? Does that artist achieve the recognition, the praise, the accolades, before the songwriters who write for other people? If an artist has been going and going and going for a long period of time, writing and singing, and keeping their head down… and they don’t receive any awards because their songs aren’t flashy nor of big production; is that fair? Even if they’ve worked with a wide variety of people and are considered a legend in their field, by their peers?

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MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 87: CROWDED HOUSE

The other week, I made a very big assertion with regards to the criteria of this blog series list. And it was that there wasn’t a concrete criteria, that virtually anyone could get in if they were ‘influential’ or ‘popular’ enough– a metric which in some ways is extremely bias. Regardless if an artist debuted in the 80’s or in the 2010’s; regardless if they had a hit in the 90’s or had 5 hits in the 90’s; regardless if they were known just for their music or for their life outside of music too… if you glance through our list, you’d find a vast smorgasbord of different artists, who in my opinion each deserve their place in their own special way. And because you could conceivably argue that each artist deserved to be there, and each artist was vastly different to each other… ergo this meant that there was hardly any criteria for inclusion on such a subjective list as this. But as I pondered this past week as I was ruminating as to who to write about, it struck me that there was indeed a bit of a pattern with the artists whom I was choosing to write about, and with whom Jon was choosing to write about, even if we didn’t know it at the time.

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MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 86: SNOW PATROL

Sometimes I wonder if I’ve bitten off more than I can chew. It’s been about a couple of months since I had a crazy idea to swap blog series with Jon (as in I write about influential artists of all time, and he write about artists who are virtually certain to be influential in the near future!); and it’s been a bit more taxing that I thought it was going to be. Not that I’m complaining… which I’m not, because I’ve been musically stretched beyond anything that I even thought I would be, and more than I ever was when I was writing my portion of the blog series all that time ago. It’s just that at this stage of the blog series, from entries #81-#100, you’d think that the 20 artists would be self-explanatory and would reveal themselves like the drop of a hat. And you’d be right… somewhat. Artists like Tim McGraw, Jennifer Lopez and Spice Girls were in the list for as long as I could remember- so there were no surprises there. But Gwen Stefani and Leona Lewis surprised me in a good way- they weren’t in the list for very long, and the fact that I was so compelled to write about these artists meant that there was no room for Blake Shelton and Norah Jones (at the moment). I’ve noticed that even at this stage, I can be enamoured and fascinated by the discography and life of an artist so much that I could include them on a whim at the expense of another; and that’s ok. At no point during this process of writing did I feel as if Gwen and Leona weren’t worthy of being included in a subjective list such as this. But it did give me pause and reason for reflection for the remainder 15 names.

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MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 85: JENNIFER LOPEZ (AKA J.LO)

What makes an artist influential, or even popular? That is the million dollar question, is it not? I know that we’ve posed this question many times throughout the past few years, and that we’ve added and subtracted artists to our ever-evolving influential artist list; based on the conclusions that we’ve drawn over the years. And so, I ask this question yet again, because… one more time can’t hurt, right? Is it the impact of the song that determines an artist’s longevity and legacy and standing in their career, or is it their songwriting ability? Is it the fact that an artist has blown up on social media and is using their platform for good away from the spotlight, or is it simply because their songs are connecting with listeners on a deep, personal, emotional and spiritual level even if their personal life is in ruins? Is an artist influential because they are so for their particular genre or time period, or is an artist influential because they are so across so many decades and for so many listeners across the board? Or are artists influential because they are not popular but rather unknown, but resonating to a specific group of people just because of one song or one album? What if I said that the answer to all of these questions is yes? Yes for all of them? Yes, an artist is influential for all of these reasons… that’s a lot of criteria, am I right? Confused with where I’m going? Don’t worry, all will make sense soon-ish…

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