Tag Archives: EDM

MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 66: CARLY RAE JEPSEN

Never in my life did I actually think that I’d write a blog like this. There. I said it. Frankly, it wasn’t even until a few weeks ago did I actually ponder about my blog series as a whole. Was I actually writing about these artists for a year and a half because they were actually influential, both in my very own life and the life of others, or was it on the basis that it was assumed to be influential, even without me listening to the artist? Because more often than not, a lot of these blogs that I wrote throughout this year, were about artists where I’d listen to them almost the very week of. Yeah, poor planning I know, but one thing struck out to me as something I should think and ponder about…was there an unseen assumption that certain artists are influential and certain artists are popular, and was I playing into that assumption? I’ve written 65 blogs so far in this series, and as I glance through who I’ve written about (and who I haven’t), there’s one big striking omission (be it intentional or not, I’m not entirely sure), that I can’t ignore- the absence of female-driven pop. I mean sure, there’s pop in a sense that it is pop-rock or pop-country or just pop-_____ (fill in the blank) on my list: see artists like Delta Goodrem, Avril Lavigne, Kelly Clarkson, Amy Grant, Mandy Moore, Natalie Imbruglia, Vanessa Amorosi and Colbie Caillat, and you can see that there isn’t necessarily a lack of females on my list investing their music within the pop sonic space, but there is a lack of female representatives in pop in the sense of the dance-pop variety. And herein lies the point. I used to think that pop in the very sense of the word- the 1D pop that is flooding the airwaves since…well, ever; shouldn’t really have a place on my list, whatsoever.

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MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 8: OWL CITY

Owl City has always been, and always will be, a band that has such polarising views from listeners who either approach his music in one of two ways. There’s the first group, that love his music, that are die-hard fans, and appreciate every unique lyric and every nuance and imagery present in his music. Because there is quite a bit. Then there’s the other group, that casually like Owl City and listen to them once in a while, but with the drop of a hat, they’d criticise or have something harsh to say if the music isn’t up to a certain standard. And frankly, there’s been times during Owl City’s music career thus far where I’ve felt like the first group, and other times where all I want to be is to be the second group…but I can’t. Because in all honesty, Adam Young, the man behind Owl City (yes, this is a one-man-band!), has created a moniker and pseudonym that has received a lot of praise (and lack thereof) throughout the years.

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