All posts by Jonathan Andre

MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 1: MICHAEL W. SMITH

It’s hard to think of Christian music and not think of Michael W. Smith, who, alongside Amy Grant and Steven Curtis Chapman, have been the artists that have been around the industry the most. Now let me get a few things straight. Michael W. Smith is in no means the pioneer of Christian music. Leave that title to other artists like Larry Norman, Mylon LeFevre, Keith Green, Andrae Crouch, PETRA, 2nd Chapter of Acts, The Imperials and Gaither Vocal Band. But for me, I’ve always felt like Michael W. Smith has been the most influential for me personally, but also influential as an artist in society. Firstly because Michael, alongside Amy and Steven, is one of the only artists, who started their career in the 1980s, to be active currently. But also, I’ve felt that Michael has always had it in himself to re-invent himself if needed to reach a different culture, a different time period, and a different people group, as the years travel on. That’s not to say that any of the aforementioned artists are not musically ingenious, not at all. And I will be discussing artists like Keith Green and PETRA further along in my ‘Influential Artists of All Time’ list. But with Michael being one of the first of many artists to receive crossover success (influence in both CCM and the mainstream arena) throughout his career, his impact and reach, whether it be pop inspirational music, or as a worship artist, is nothing less than extraordinary. Michael’s devotion to creating music that not only is poignant and heartfelt, but also musically fashionable as well as interesting, is what I reckon has been a very big part of his success over the years. Dare I say, that now with Michael into his early sixties, that he could become the Christian version of either Rod Stewart or Johnny Farnham, a man well into his years delivering great hits with no intention of retiring?

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MOMENTOUS MONDAYS: Influential Artists of All Time

To say that this post has been stewing in my mind for the last few weeks is really a very big understatement. This series has been swirling in my mind for months. As my brother undertook what I reckon was perhaps one of the boldest decisions he has ever done with regards to this site (unveil a series about his most influential and impacting albums of all time, all in the span of this last year), I have decided to take up a similar, yet different task. I’ve been thinking a lot lately about what constitutes a great artist or band, and what makes a band or artist impactful, and impacting in a society that is continuously churning though and spitting out artists as if they’re nothing more than just a stepping stone for record companies to be famous. Which bands and artists are timeless? Which artists and bands evoke emotion amongst old and young, black and white, across races, religions, creeds, beliefs and even sexual orientations, to create a sense of camaraderie and unity, as well as stir up questions that would’ve otherwise not been discussed had it not been for artists and songs, and the space to create freely and without restriction? Can crossover artists succeed without compromising on fundamental and core values that have made them successful initially in the industry they started off in?

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For King and Country – Live From The Sydney Opera House (Concert Review)

Passion. MercyMe. Michael W. Smith. Jonathan Thulin & Charmaine. Casting Crowns. Delirious? Jesus Culture. Hillsong. Hawk Nelson. Superchick. Newsboys. And now added to this list, for KING AND COUNTRY. What is this list, you say? Every artist I have seen in a live setting, be it actually live, or as a house concert. Whatever the case, there’s something unique and different in seeing the band/artist live, as while the songs recorded in studio are great for listening on a personal level, nothing beats the live atmosphere, and everyone else around you singing the exact same lyrics as you, and focusing on singing the words, that you don’t have to worry about how you will act when you’re watching someone live. You can express your enthusiasm and passion in such a setting, and that’s ok, because everyone else would be doing that as well. For it was only yesterday that myself, my brother and a few of my friends saw for KING AND COUNTRY live at the Sydney Opera House (frankly, I can only remember being at the Opera House only once, a long time ago for a Chinese Opera in fact, a performance I thoroughly hated!), so a chance to see arguably one of the most popular CCM acts at the moment in one of the most iconic Australian monumental landmarks was a definite yes for me. Let’s just say that I was absolutely enthralled by the band, and their set-list, though there were a few glaring omissions, was in fact on the money.

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