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Momentous Mondays: Influential artists of the next 5-10 years – Week 43: Riley Clemmons

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Since undertaking this blog series around 2 and a half years ago, I’ve since had the privilege of exploring artists in such a way that I may have not had done so; if I wasn’t as bold as I was in delving deep into the blog series for this site. I had been musing and thinking about it for quite some time before February 2019, but little did I know that since that introductory post in early February, my appreciation of music, and my ability to enjoy music not necessarily within the realms and confines of CCM, was all going to change. I was challenged by music artists and genres that I didn’t think I could like, let alone enjoy. Artists like Lifehouse, Avril Lavigne, Pentatonix, John Mayer, SEAL, Jackie Evancho, Sara Bareilles, U2, OneRepublic, Rascal Flatts, Lady A, Sugarland, Little Big Town, Martina McBride, The Corrs, and Carly Rae Jepsen, are just some of the many artists I enjoyed during my time blogging about, in my opinion (and it’s just my opinion), some of the most influential music artists in music history and society. I wrote blog after blog for about just over two years, and finally made the switch after blog post #80 to alter my approach a bit. My brother Josh took over from me and is now writing about blogs #81 – #100 and further discussing influential artists in modern music history- artists like Tim McGraw, Leona Lewis, J. Lo., Gwen Stefani and Spice Girls have been written since I actively left the blog series I was undertaking, and artists like Taylor Swift, Justin Timberlake, Robbie Williams, Beyonce and Kylie Minogue are still to come.

I, on the other hand, decided to try my hand and relay my own ‘expertise’ in exploring artists who are much more ‘current’ in a way- artists who may not necessarily be influential now as of this moment (but nevertheless, still popular), but will probably be in the upcoming few years ahead. Artists like Tori Kelly, Maddie & Tae, Lindsay Ell, Echosmith, Thomas Rhett, Chris Stapleton, Dami Im, Mandy Harvey, Hunter Hayes, Little Mix, NF and The New Respects, are just some of the 40 artists Josh wrote about…and then everything changed at the end of April. Mutually agreed by both my brother and me, we swapped- Josh is now continuing the blog series about influential artists of all time, and I am trying to at least get my head around influential artists of both now and into the future. While for me it hasn’t really been as easy-going compared to the blog post series that I was a part of for 2-and-a-bit years; I’ve still relished in the challenge of listening to music that stretches me and encourages me to see beyond my own preconceived ideas of music that is produced currently right now. Since writing about John Legend (blog #80 of ‘Influential Artists of All Time’), I’ve delved into ‘new’ and upcoming artists The Shires (who I reckon is one of the most underrated country duo’s ever) and Lucy Thomas (The Voice Kids U.K. finalist, who is arguably one of the most promising voices out there right now, considering she’s only 17 years old now, and 13 when she was competing on the singing competition). Now, I’ve decided to take the plunge again into the depths of the unknown…this time, it’s CCM artist and hopeful mainstream-crossover artist, Riley Clemmons.

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Momentous Mondays: Influential artists of the next 5-10 years – Week 42: Lucy Thomas

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Let me pose a question to you all. Under what criteria or definition does an artist become influential (or even popular for that matter)? Is it their number of sales in any given year, or how high a certain song charts on the radio, or even how well people respond to songs in their own personal settings as the years progress? Is it how many awards they’ve won, or how much a song ‘blows up’ on social media? Is it their ability to have their music placed in TV shows and movies, or their songs become theme songs for various ceremonies across the years? Or is it their vocal prowess alone, and their ability to sing high, sing powerfully, sing with heart and determination? Or it could just be their natural talent as a songwriter, or even the fact that they are a multi-instrumentalist. Whatever the case may be, and whatever yardstick or measurement people use to determine someone’s popularity or influence in society altogether, there is something that still remains to be true, regardless of criteria. That a good artist is a good artist is a good artist, and no matter if they are ‘liked’ or not, one can generally appreciate someone’s craft, and people are usually on the money in their deciphering about who is popular and who is influential. Because at the end of the day, influence goes beyond popularity, and speaks to the heart of issues relevant to the people of today. People can all of a sudden, become famous overnight and popular through TikTok, Instagram and Youtube- anyone who’s somewhat tech-savvy can self-declare that they are a muso/artist, and record something on the fly…but that doesn’t mean that they actually are. They may be popular and enjoy their fifteen minutes of fame (figuratively or even literally), but to be influential means an artist has to deliver something that goes beyond the surface, and hit a listener in a way that their music impacts them not only for a little while, but really challenges the way that the person on the other end- listeners, critics, consumers, and the rest of them, sees society, music, and the interweaving of how music can impact someone’s life for the better, even if it’s just this one song that really changes the trajectory of someone’s life.

Continue reading Momentous Mondays: Influential artists of the next 5-10 years – Week 42: Lucy Thomas →