MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 27: EVANESCENCE

‘…when we were making Evanescence I was a normal kid, going to school. But I guess not normal in the sense that I spent almost all of my free time working on making music. I’d be up until three in the morning, with headphones on, on my keyboard. My mom would complain in the morning that all she could hear all night was ‘thump, thump, thump’. But I just loved it. Being a composer, honestly, was my original dream. That’s why it’s so beautiful that I get to work with David Campbell and all these brilliant musicians on Synthesis [the latest album] – people who went to [music] school and didn’t cheat their way…I didn’t fit into a clique. For the most part I hung out by myself a lot. I really enjoy being able to be quiet and think…[now] it’s interesting. I almost feel like that wasn’t a choice [using sexual images to sell records] – I had to be who I was. What rock’n’roll is to me is being yourself, unapologetically, and not changing to fit within the machine. Being a female in the music industry a lot of the time means being overly sexualised. It was just kind of an easy, cheap way to get people to pay attention to you. I was like, that’s not who I am, and I’m not gonna pretend to be anything that I’m not…’

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FLASHBACK FRIDAYS: WEEK 46 (90’s albums!)- Are newer albums actually better than classic releases from yesteryear?

Over the past 6 months, you may have noticed a new series on our site- for those of you who are avid followers and are paying attention. You see, my brother Jon has been embarking on an ambitious project for our site. He’s writing about 100 influential artists (and then 20 more on top of that who are in a class of their own!) and delving deep into their discography, analysing why these artists are influential and have shaped (or are shaping) music as a vast sonic landscape over time and across their own genre. It’s a big mouthful to even comprehend- and Jon’s writing about 1 artist per week; so while I might leave you to peruse Jon’s new blog series here (with the intro post and ‘contents’ page here!), let me just say that as I have embarked on this expansive music journey with my brother (via osmosis!), listening to music that he has, and being inspired and challenged by music that I’d probably never listen to in a million years; I’ve kind of noticed a trend. And that trend is just my opinion, and what I have observed and concluded to be the case- but it’s in no way indicative of what you may perceive or believe. So are you waiting to hear my deep, profound revelation, that many of you might know already? Here goes! It’s that… I believe that music from the 90’s and early 2000’s (but especially 90’s!) had so much heart, soul and passion in them, seemingly more-so than music today!

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MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 26: FAITH HILL

Maybe it’s just me, but I’ve gained a bit of insight over these last few months. And it is this- there is no pattern to how I listen to my music, or rather, what genre of music that I like. Even when I was enjoying a lot of CCM during my younger days, I’d listen to a wide variety of styles- rock, pop, worship, acoustic, folk, singer-songwriter…basically anything that wasn’t screamo. Now here as I branch out into different music styles and appreciate music in a general sense of the word, I see the exact same thing- virtually no pattern as to how I enjoy my music, or what I do listen to. Phil Collins, prominent in the 1980s, delivers to us an eclectic mix of pop-rock mixed with a high energy drum-beat undertone, while Kelly Clarkson is your traditional pop-rock with an inspirational edge in there. Owl City is close enough to EDM that I did embark upon, while Andrew Peterson utilised a lot of acoustics and focussed a lot on the lyrical side of things. Add to that the hard rockers of Skillet and DC Talk, and the ever poignant and motivational Tenth Avenue North; and you see that my musical tastes have broadened much over the weeks and months ahead. That is, until I’ve searched deeper into the patterns behind my very own choices for these blog posts thus far. There is indeed a pattern. Out of 26 artists I’ve decided to write about thus far, quite a fair number (5) are of the country variety. Yes, there, I’ve said it. Unknowingly, and maybe even unintentionally, I’ve favoured country music ahead of basically every other music genre thus far, inclusive of this artist I’m about to delve into today- Faith Hill. And there’s nothing wrong with country. Far from it. In fact, upon listening to music time and time again this year, I’ve noticed that country music in particular tend to wear their hearts on their sleeves a lot more, and that’s ok. Never have I initially thought that I would resonate a lot of country music, yet I have. Artists like Carrie Underwood, Martina McBride, The McClymonts, Shania Twain, and now Faith Hill, have all influenced the genre of country over the years, and by and large, have shaped what music is currently today as well. Maybe not so much The McClymonts, but considering that they are indeed an Australian country trio, and they have been charting top honours for best country band every year since their release of their debut album 12 years ago, makes their inclusion very much more settled and certain. Nevertheless, here I am with another post discussing Faith Hill and her music- and to be honest, I don’t really know much about her life…and maybe that’s a good thing. All I know is that she’s married to country artist Tim McGraw, released 8 studio albums, and is now declared one of the best country artists at the moment.

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