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MOMENTOUS MONDAYS: ICONIC & IDENTITY-BUILDING ARTISTS OF ALL TIME – WEEK 7: THE BEEE GEES

I’m not sure if this has been scientifically proven, or if it’s just here-say and speculation, but I’ve noticed that each musical era has its own distinctive sound. From the power-pop ballads and love songs of the 1980s and 1990s, to the powerhouse bands that existed in the 1970s (Queen, The Rolling Stones, ABBA, Kiss, AC/DC, Fleetwood Mac and The Beach Boys, to name a few), even the late 1990s when boybands (and girl-groups) started to come into prominence, or even the 1990s as well, where prominent and distinctive country music sounds came into fruition (through the way of artists like LeAnn Rimes, The Chicks, Shania Twain, Garth Brooks, The Judds, Trisha Yearwood, Deana Carter, Jo Dee Messina, Martina McBride and Faith Hill)…in all these circumstances, eras, time periods and stylistic changes and shifts in musical culture, you can gauge and understand that each period of time was different for music. Each period was distinct. Each period was unique. Each period had something to say. And each period was special to someone, somewhere. And what I’ve learnt throughout the last few years of exploring music in various different genres and time periods, is this- that each person will gravitate towards their own favourite music…which will be different compared to other people’s favourite music, and that’s ok. Each person is impacted and influenced by different artists (or even different time periods), and from what I’ve learnt, is that people’s strong beliefs about music (and influential music artists as a whole) ought not to be held as tightly as I’m sure a lot of people are holding music, full stop. Because (and I know I’m guilty of that too) that’s what people do.

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