Word Label Group
Release Date: October 30th 2020
Reviewed by: Joshua Andre
For KING & COUNTRY– A Drummer Boy Christmas (Amazon mp3/iTunes)
Track Listing:
- In The Bleak Midwinter (Prologue)
- Joy To The World
- O Come, O Come Emmanuel (feat. Needtobreathe)
- Won’t You Come
- Heavenly Hosts
- Silent Night
- A Christmas Monologue
- Little Drummer Boy
- The Carol Of Joseph (I Believe In You)
- O Come All Ye Faithful
- Go Tell It On The Mountain (feat. Gabby Barrett)
- Angels We Have Heard On High
- In The Bleak Midwinter (Epilogue)
Joel and Luke Smallbone are brothers, are also Australian, and form the Christian pop duo for KING & COUNTRY. And there’s not much more I can say about the duo, without me going on and on for ages, because I truly believe they are quite compelling, powerful, honest, emotive and vulnerable- so if you all want to read more about Joel and Luke’s history, you can check out Wikipedia, or my brother’s blog about them that he wrote about a year ago. With many of their hit songs such as “Busted Heart”, “The Proof Of Your Love”, “Middle Of Your Heart”, “Shoulders”, “Fix My Eyes”, “It’s Not Over Yet”, “O God Forgive Us”, “Burn The Ships”, “Joy”, “Amen” and “Priceless” all winning over the hearts of many listeners- believers and non-believers alike; we are met with the group diving deep into the unknown and something new. For when the pandemic hit in March this year, artists were scrambling for something to do that could A- pass the time, and B- be considered and deemed as creative enough by the public. Also, artists also didn’t want to seem to be intentionally capitalising on the misfortunate of others in order for the world to see and hear their own songs- I mean it’s a bit insensitive to keep marketing your own music while people are dying everywhere in the world, right? That’s certainly the case when the pandemic started, and that’s why many albums were pushed back to the end of the year or some even to next year (I’m looking at you, OneRepublic!). So artists had to evolve in 2020- not ideal, but you gotta make lemonade out of lemons, am I right? So for KING & COUNTRY embarked on a musical journey of epic and anthemic proportions- a collection of songs so grandiose and so big and so moving and so powerful… that this might be their most impacting and most cohesive project yet. A couple of months ago A Drummer Boy Christmas was unveiled to the world… and though the world has been bombarded with plenty of Christmas albums especially in 2020 (My Gift from Carrie Underwood, We Need A Little Christmas from Pentatonix, Only Santa Knows from Delta Goodrem, A Tori Kelly Christmas from Tori Kelly, Birth Of A King from Tommee Proffitt and more!); it is in my own opinion that there is no greater thought-provoking holiday album than the one from my own countrymen. For KING & COUNTRY have never shied away from their faith, and they’ve also always tried to appeal to the mainstream market, and write music for people from all walks of life. Consequently, I reckon their not as popular as they should be… but I’d say that all changes now, with this Christmas project.
For anyone of you looking for a ‘traditional’ review of a Christmas album, one where I speak about each song at length, and what it means to me and what I think each song means for the artist; should turn back now. I’ve reviewed so many Christmas albums over the past few years, and nowadays, it becomes almost immaterial to review Christmas albums these days- as you hear more often than not the same Christmas carols redone (“Silent Night” for one!), the same holiday songs redone (“Have Yourself A Merry Little Christmas”?), and a few originals that are generally ok, but not that engaging or memorable. That seems to be the template on most Christmas albums… Yet this project is one another level of brilliance. Cleverly and skilfully opening and closing with a piano led 1 minute prologue and epilogue of one of the most underrated carols ever- “In The Bleak Midwinter”; Joel and Luke then dive deep and do not sugar-coat anything- as they explicitly and vividly delve into the reason for the season. Sure you have the staple carols like “Joy To The World”, “O Come All Ye Faithful”, “Angels We Have Heard On High”, the obligatory and definitely overplayed “Silent Night”, and heart-warming duets with Needtobreathe in “O Come, O Come Emmanuel” and with Gabby Barrett in “Go Tell It On The Mountain”… and while at first glance, one could think that these songs aren’t exciting enough; these carols are anything but boring.
They’re each given the for KING & COUNTRY treatment- which is a musical style that is hard to explain in words, and much better if you all could listen to these songs and experience the epic-ness for yourselves… but let me just say that what could have been a solid, competent, and capable album, turns into something much more special and meaningful and hopeful and almost near-flawless; simply from the musical stamp of for KING & COUNTRY, and their immense passion too. For KING & COUNTRY’s signature Christmas song that is almost sung at every concert is “Little Drummer Boy”; and it’s a musical experience like no other- with the track being my most favourite version of the carol ever. So it makes sense that the pseudo-title track is the heartbeat of the album, and it makes sense that the song that has been resonating with people ever since 2012, since the group’s first performance of the song; would be the song to propel these guys to even greater heights. Seriously, if there’s one song to listen to from for KING & COUNTRY on this album- I’d have to say that it’s “Little Drummer Boy”… and that’s all there is to it. Watch the music video too, and be amazed at the camera work and the detail that went into making this song a musical masterpiece!
Original Christmas songs can be a bit tricky, as you’re trying to capture the essence of Christmas, and trying to also make a song your own… but Joel and Luke make it easy with their two tracks “Heavenly Hosts” and “The Carol Of Joseph (I Believe In You)”. The former, led by Luke, is an all-out worship song driven by the keys that is something that the shepherds could’ve sung on that night of Jesus’ birth; while the latter is a personal and emotional track, also led by Luke, sung from Joseph’s perspective, singing to Jesus and also Mary saying to Joseph that she believes in him, and then Joseph in turn letting Jesus know that he believes in Him. It’s such a poignant and emotional track- and though these two songs are musically mellow and contemplative; they both embody the Christmas spirit and the story of Jesus so beautifully. “Won’t You Come”, a spoken word paraphrasing of Isaiah 9:2-7, precedes “Heavenly Hosts”; yet there is no other track that is more inspiring than the spoken word “A Christmas Monologue” that precedes “Little Drummer Boy”. Just take a listen below and be amazed at the wonder of what Christmas is all about.
So there you have it. 44 minutes and 53 seconds of sheer musical genius and an album for the ages. for KING & COUNTRY’s A Drummer Boy Christmas is captivating and powerful as the duo tackle the Christmas story with professionalism, heart, joyfulness and a sense of reflection and reverence that I have not seen in a long time. The Christmas story is timeless, and there are so many ways to tell the story- as a religious story or a story that only has the holiday aspect to it; yet for KIING & COUNTRY have forgoes niceties and warm fuzzies and have gone straight for thew jugular- the immutable truth of Jesus being born into the world as fully man and fully God, and born to save us all from ourselves. What greater truth do we need this Christmas? So let us sit back and pray that COVID-19 is over soon… but more than that let us pray that God continues to work in us and changes us from the inside out. What better way to do that than against the backdrop of one of the most thought-provoking and powerful and exquisite Christmas albums of the year? Well done, for KING & COUNTRY; Joel and Luke should be proud of themselves, and I cannot wait for the next all new original studio album #5!
3 songs to listen to: Heavenly Hosts, Little Drummer Boy, Angels We Have Heard On High
Score: 5/5
RIYL: Andrew Peterson, Tenth Avenue North, Kevin Max, Newsboys, Crowder, Coldplay, Daughtry, Switchfoot, Jars Of Clay