There are sometimes during the weeks where I sit and ponder and wonder. What really, really constitutes a great song or artist? Is it the message of the melody, the lyrics, what is being said, that would make the song stand the test of time in the end? Is it the musical composition, and the various layers of guitars, drums, keyboards and the like, that evoke different emotions, considering who is listening to it? Is it the general perception of the artist that determines whether a song or even an album by that artist, is successful, impactful or even decade-defying or not? Does an artist make a song, or can a song make an artist? These are the questions that have been haunting fans of music, and critics of it, for quite some time, and as we sit and think about all this, in 2020; I don’t think we’ve ever come to a clear conclusion sooner, if at all. For artists, songs, and albums are people’s preferences, and what one person can deem in their own lives as influential, the other can avoid with a ten-foot-pole. That’s just life, and there’s millions of genres available for people to listen to, to their hearts content. Music is very, very subjective, and so for me to tackle this year-long (and then some), project, about the top 100 Influential Artists (in my very own subjective opinion)- and then to top it off, 40 artists that are deemed the ‘classics’…you see what I mean right? People can call this ‘music experiment’ mere folly. And yet for me upon reflection- since I started embarking on this vastly daunting (yet equally exciting and rewarding) venture, I’ve been realising that such an exercise as this, as led me to appreciate music in all its facets all the more.