Release Date: September 21st 2018
Reviewed by Joshua Andre
To say that I am 100% prepared to write about this artist would be a lie. Because I’m not. Frankly, with everything that has been happening this week, from work to what has been suddenly portrayed on the news, the research for this artist has been minimal, to say the least. Nevertheless, what I have heard (and what I will continue to hear) has blown my own expectation of the genre of classical opera/pop that this artist is famous for, right out of the water. When I was younger, I used to have an aversion to anything of that musical variety. Not really sure why, but if I’m going to be completely honest, I’d say that I was too much in my CCM bubble not to notice the great quality music that exists (and continues to do so) outside the confines of whatever is to be sung on Sunday mornings at church service…I’m sure you get the picture, right? Music is a gift from the Lord, and it is up to us as stewards of this gift to bring hope and encouragement into the light, and to bring to listeners a sense of camaraderie and unity in times of difficulty, to ask questions that may not have been asked if it had not been for the music. There are many genres of music, and many people stand tall within their own genres. As I’ve discussed in these blog posts in previous weeks, artists like Michael W. Smith places a firm stamp on the CCM/Christian pop ‘genre’, while bands like Switchfoot and Lifehouse influence heavily on the rock music scene. Avril Lavigne’s music imprints a mark on pop/punk while Delta Goodrem is very prominent in Australian music. And so which artist stands out amongst the opera/pop genre? Well, Josh Groban, of course!