Last week, we delved into the fourth group of 20 artists that we posted about in our blog series, discussing artists like Jackie Evancho, Cimorelli, Creed, Missy Higgins, John Legend and Little Big Town; just to see what they’re up to. Now… it’s time to see the next group of 20 artists- artists for our blogs 81-100. Do you want to know what’s happening in the lives of Justin Timberlake, Justin Bieber, Rihanna, Gwen Stefani, Taylor Swift, Spice Girls or Robbie Williams? Read on to find out more!
The other day NSW premier Gladys Berejiklian extended the lockdowns across NSW for yet another 2 weeks. With little change happening over the past few weeks of lockdown that NSW has had so far, freedoms are once again limited to exercising around the block and only one person going out to the shops for groceries. It remains to be seen whether the two-week extension of the lockdown will have any effect at all on case numbers and whether COVID-19 infections will decrease or not; but the fact of the matter is that we all are frustrated. Tired of staying at home, wanting more human interaction, and mingling with friends and co-workers. We long to go over to people’s houses for a barbecue and a cold beer, and we long to go to the movies or to a concert. In short, we as a nation and as people globally, long to get back to a life that is semi-normal, before COVID. Because at home, we don’t seem to be productive, and at times we think that we’re not doing anything. Yes, we’re listening to music, we’re zooming, we’re binging on all of our streaming shows, we’re sleeping in… but as we look abroad to other countries who have opened up the country a whole lot more than us Australians have (and it’s largely due to a supply issue of vaccines, which are more readily available overseas, plus people from other countries are generally more willing to receive vaccinations!); I reckon we’ve all become slightly envious. Envious and jealous of how many countries around the world have sprung back to normalcy (to an extent). Envious of how people are living overseas with apparent freedom. And though we know that there are still rampant COVID-19 deaths happening overseas… we choose to overlook them, in favour of our biases and preconceptions that other countries have it better than us because they have less restrictions. Are we envious and jealous though… unnecessarily? I mean, someday Australia will have opened up to the world, and for now we just gotta be patient and stay the course until more vaccines come, am I right?
I’ve often wondered what constitutes a timeless song. A song that is regarded as being legendary in its own right. Something that can tug at your heart, and can invade your innermost being, bringing forth emotions to the surface that you never knew you had. I’ve often wondered if it’s the artist who makes a great song, or if it’s the songwriter. Because usually, the great songs (like the great songs in the 90’s like “My Heart Will Go On” by Celine Dion and “When You Believe” by Whitney Houston and Mariah Carey), are 9 times out of 10, written by a songwriter, or maybe two or more; and then given to a singer to ‘make famous’. Is a song famous because of the name and reputation of the artist, or because of the reputation or repertoire of the songwriter? Songwriters like Diane Warren, Ashley Gorley, Justin Paul & Benj Pasek, David Garcia, David Foster, Justin Tranter & Julia Michaels, Sia, Ryan Tedder, Toby Gad, Shane McAnally and Ester Dean, are all in high demand; and only some of these are artists. The rest just keep chugging along, ploughing away at their craft, helping to make artists famous by crafting a radio friendly hit song. Many of these songwriters are world renowned and respected by their peers- and so the question needs to be asked as to whether the song lives on in the hearts of all of us because of the artist or the songwriter. I reckon it’s about 50/50 at least, in that the songwriter generally does around about 50% of the work in propelling an artist into stardom. But whether a song lives on in my heart, and then just doesn’t connect in your heart- that’s a different thing altogether. But generally speaking, the big iconic songs that we’ll still be singing in 20-30 years’ time, are because of a symbiotic or sometimes parasitical relationship between the songwriter and the artist. But what happens when an iconic song is written by the artist who has sung it? Does that artist achieve the recognition, the praise, the accolades, before the songwriters who write for other people? If an artist has been going and going and going for a long period of time, writing and singing, and keeping their head down… and they don’t receive any awards because their songs aren’t flashy nor of big production; is that fair? Even if they’ve worked with a wide variety of people and are considered a legend in their field, by their peers?
Home For Christmas
Label: BMG / RCA / Trans Continental