Sony Music Entertainment
Release Date: October 23rd 2020
Reviewed by: Joshua Andre
Laura Benanti– Laura Benanti (Amazon mp3/iTunes)
Track Listing (+ original artist):
- Cigarettes And Chocolate Milk (Rufus Wainwright)
- Someone You Loved (Lewis Capaldi)
- What Are You Doing The Rest Of Your Life? (Barbra Streisand)
- Sucker (Jonas Brothers)
- The Boy From… (The Mad Show Original Cast Recording)
- Go Slow (Julie London)
- Don’t Worry ‘Bout Me (Frank Sinatra)
- 50 Ways To Leave Your Lover (Paul Simon)
- Lose You To Love Me (Selena Gomez)
- Wives and Lovers (Jack Jones)
- The Party’s Over (Judy Holliday)
Jazz music and music from the 50’s/60’s aren’t really my cup of tea if I’m completely honest, and if I’m speaking in generalisations. I mean, I’d continue listening to CCM, or delve into country or pop before you would catch me bobbing my head to an Elvis or Frank Sinatra album. And before you crucify me, let me just say that that is really only my opinion. If you love that kind of music, then that’s totally fine. It’s just that jazz isn’t my preferred genre of music. However COVID-19 brings along with it less opportunities for musicians to make music and for songwriters and artists to create- therefore if I want to listen to new music during COVID-19 (which is what I wanted to do!), then I’d have to start stepping out of my comfort zone in terms of genre to listen to something new and inspiring and hopeful and vulnerable. I mean now the world is starting to open up a tiny bit more, more and more artists are releasing more and more music (except for… OneRepublic!), however I guess you could thank COVID-19 for me even contemplating listening to jazz music.
It all started when I delved into Mandy Harvey’s music. She’s a jazz singer, but she’s deaf also and I saw her testimony a few months ago via a sermon she was preaching way back in 2019. She spoke about her faith in God and how losing her hearing wasn’t the worst thing that could’ve happened to her. I was so blown away that I wrote a blog about her– but along the way I was listening to Mandy’s music- her jazz inspired music. it took a while to get my head around the unfamiliar sounds and the musical layers of an era I wasn’t even aware about nor exposed to… but all in all I loved Mandy’s music in the end. It wasn’t much for her music though but rather for her faith and tenacity and determination. So when the news came around that Laura Benanti was releasing her debut album this year, comprising of classics and newer songs in a jazz style, I was intrigued. And I wanted to listen to this album. Not because I had certainty that it’d be good, but rather because I knew the reputation that Lauren Benati brought with her. And that reputation alone was enough for me to take the plunge and listen to this project.
With so much to talk about when delving into the life and the career of Laura Benanti (take a read on Wikipedia!), as we examine the successes of this vibrant and joyous star of the theatre, Broadway, television, film and soundtrack recordings; one thing that Laura has never done is record a full length album. And because there wasn’t any prior album to base my impressions of, I was going into the album blind. Yet let me tell you, that even though Laura Benanti didn’t immediately soothe my soul in terms of whether I instantly loved jazz music or not… it did give me an appreciation for the genre.
To tell you the truth, I did feel immensely like a fish out of water listening to this album. Some songs are easily recognisable and extremely moving and inspiring (“Sucker”, “Lose You To Love Me”, “Someone You Loved”) while others were foreign. Yet Laura Benati isn’t an album to listen to for a fun time. It’s a deep, meaningful, introspective listen, and one that we all need to listen back again and again to gain more understanding and clarity of the story behind these songs. With Mandy’s songs, the jazz part was immaterial due to Mandy’s heartfelt and resonating story. There isn’t really a story here on this project, unfortunately, and there is a lack of cohesion here. Yet for some reason, I’m drawn to this album, in the hopes that it will sound better the next time. Laura Benanti’s album is alright, but there’s plenty of iconic songs here she covers- and these songs overall have drastically different lyrical themes explored. During COVID-19 we all have more time of our hands- and though I found Laura Benanti’s album semi-adequate, I reckon for a more complete jazz project, tackle any one of Mandy Harvey’s albums. Vocally Laura Benanti is an exquisite and magnificent vocalist- it’s just that this album lacked identity, given that there were older classics mixed in with current pop songs. Perhaps the second album will be more cohesive and have a running theme? Maybe an alubm with original recordings? Just a thought. Either way though, I still reckon Laura’s self-titled debut is needed for us all to hear, if only for us to realise that jazz isn’t for us at this point in time.
3 songs to listen to: What Are You Doing The Rest Of Your Life?, Don’t’ Worry ‘Bout Me, Lose You To Love Me
Score: 3.5/5
RIYL: Sara Bareilles, Michael Bublé, Josh Groban, Martina McBride, Peter Hollens, Natalie Imbruglia