Tag Archives: evanescence

BEST OF 2019- PART 9: TOP 15 ANTICIPATED ALBUMS OF 2020

I know I say this every year, but this time I mean it. 2019 was the year that we were presented with the most hard hitting and poignant songs, as well as the most inspirational albums in recent memory. From songs like “Almost Home” (MercyMe), “Greater Than All My Regrets” (Tenth Avenue North), “Head Above Water” (Avril Lavigne), “The God Who Stays” (Matthew West), “Fear No Mor” (Building 429), “I Don’t Care” (Ed Sheeran), “Sucker” (Jonas Brothers), “If I Can’t Have You” (Shawn Mendes), “Miracle” (Tauren Wells), “Lose You To Love Me” (Selena Gomez), “AMEN” (Micah Tyler), “Unstoppable God” (Sanctus Real), “Rescue Story” (Zach Williams) and “Goodness Of God” (Bethel Music); to albums like No Shame (Tenth Avenue North), Head Above Water (Avril Lavigne), Spectrum (Westlife), People (UNITED), Native Tongue (Switchfoot), Ocean (Lady Antebellum), No. 6 Collaborations Project (Ed Sheeran), UNITED (newsboys), Out Of My Hands (Mallary Hope), Unstoppable God (Sanctus Real), Rescue Story (Zach Williams), Reason (Unspoken), Victory (Bethel Music), GIRL (Maren Morris), Haven’t Seen It Yet (Danny Gokey) and the highly controversial Jesus Is King (Kanye West) – this year had it all. Sweeping ballads, head banging rockers, introspective tear-jerkers and just plain fun pop tunes to dance to. And now that it is nearing 2020, it’s that time again in our best of series. To talk about our most anticipated albums for the upcoming year ahead in 2020. So now without further ado, let me list 15 albums that will release within the next twelve months, of which I am anticipating. So which albums are you looking forward to?

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MOMENTOUS MONDAYS: INFLUENTIAL ARTISTS OF ALL TIME – WEEK 27: EVANESCENCE

‘…when we were making Evanescence I was a normal kid, going to school. But I guess not normal in the sense that I spent almost all of my free time working on making music. I’d be up until three in the morning, with headphones on, on my keyboard. My mom would complain in the morning that all she could hear all night was ‘thump, thump, thump’. But I just loved it. Being a composer, honestly, was my original dream. That’s why it’s so beautiful that I get to work with David Campbell and all these brilliant musicians on Synthesis [the latest album] – people who went to [music] school and didn’t cheat their way…I didn’t fit into a clique. For the most part I hung out by myself a lot. I really enjoy being able to be quiet and think…[now] it’s interesting. I almost feel like that wasn’t a choice [using sexual images to sell records] – I had to be who I was. What rock’n’roll is to me is being yourself, unapologetically, and not changing to fit within the machine. Being a female in the music industry a lot of the time means being overly sexualised. It was just kind of an easy, cheap way to get people to pay attention to you. I was like, that’s not who I am, and I’m not gonna pretend to be anything that I’m not…’

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